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The InDesign Ideabook
von Chuck Green
Logic Arts, 2005
Softcover
€3,00
(inkl. MwSt.)
Inhalt: Turning Ideas Into Results, Adding the Professional Touches, Using the InDesign Ideabook CD-ROM, Advertisements u.v.m.
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The Iowa Class Battleships
von Malcolm Muir
Blandford Press, 1988
Hardcover
€55,55
(inkl. MwSt.)
Inhalt: Battleships for "Eccentric Operations", Swift Ships - Big Guns, To War, Closing In On Japan u.v.m.
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The Italian Renaissance
von Shaaron Magrelli
Scala, 2009
Hardcover
€10,50
(inkl. MwSt.)
Inhalt: Architektur in Florenz, Norditalien, Bildhauerei, Malerei, u.v.m.
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Inhalt: Antiques, Manuscripts, Paintings, Drawings u.v.m.
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The Journey
von Dietmar Lutz
2005Softcover
€12,50
(inkl. MwSt.)
Inhalt: Geometry of the Heart, West, Escapism u.v.m.
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The King of the Birds
von Helen Ward
Templar Publishing, 2000
Softcover
€4,00
(inkl. MwSt.)
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Inhalt: In the Beginning, Descriptions of the Kiowas, The Evolution of a Civilisation, The Kiowa Calendars u.v.m.
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The lady's not for burning
von Christopher Fry
Oxford University Press, 1951
Hardcover
€5,50
(inkl. MwSt.)
Theaterkritik: "From the moment the curtain rises on The Lady's Not For Burning, we are launched into a sea of dazzling verbal invention which never for a moment flags."
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Mit Fotografien von Simon McBride. Inhalt: London, West Country, Playhouses, Stratford, u.v.m.
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The Last Frontier
von Ken Duncan
Weldon Publishing, 1990
Hardcover
€15,82
(inkl. MwSt.)
Ken Duncan spent five years travelling remote and familiar parts of Australia to take the extraordinary photographs of this collection.
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The Last Places on Earth
von Eric Meola
Watson-Guptill Publications, 2005
Hardcover
€18,00
(inkl. MwSt.)
Kurzbeschreibung: Eric Meola has gone to places where most photographers only dream of: he has brought back incredible photographs of a disappearing world in a time of great change...
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The Lectures 1990
von Witte de With
1990Softcover
€8,95
(inkl. MwSt.)
In an effort to add to the debate on contemporary art, Witte de With organized lectures and debates. In these lectures and debates, the exhibitions, the work of the artist(s), and the underlying concepts or reactions which they produced, were commented upon. The lectures and debates were published every year, in an effort to permit fresh consideration and evaluation of the whole exhibition program.
